The Delhi Walla

City Travel – Calcutta Memoirs, Bengal

Like a painting.

[Text and photos by Mayank Austen Soofi]

If French novelist Marcel Proust had lived in India, he would have lived in Calcutta.

The city is like a faded watercolor painting. The Delhi Walla visited it for a week.

Unlike Delhi, the old houses in Calcutta still survive. The green shuttered windows of crumbling yellow mansions preserve a genteel elegance of literary conversations and afternoon naps.

I visited a retired woman in Charu Market whose modern-day flat was steeped in the same ambiance. Hardbound works of Rabindranath Tagore were stacked under her bed. DVDs of Satyajit Ray’s films were stored in a drawer – next to her plasma screen TV. A tanpura was kept beside her dressing table. The woman made fish fry for me.

One evening I made a pilgrimage to the city’s Jewish cemetery — Calcutta has less than 30 Jews. The graveyard has hundreds of tombs.

One morning I boarded the Tollygunge-bound tram; the continuous rattle of its creaky wooden floor added a comforting rhythm to the city’s traffic sounds.

The same day I had club sandwich in Park Street’s famous tearoom Flurys. The toilet was filthy and the waiters huddled together and cracked jokes to each other.

Calcutta cabs are yellow.

Each day I passed the hot and humid afternoon hours inside the cold lobby of The Grand, where I would sit under a chandelier and read.

The walls in Kalighat and in many other neighborhoods are painted with hammer-and-sickle signs under which sleep the city’s homeless.

The rice-eating men in Calcutta have huge paunches, which they display in public by rolling up their shirts.

One late morning I bought several back issues of National Geographic magazine from a pavement stall in Esplanade. When I was leaving Calcutta, the coolie carried them as I headed towards my train at Howrah railway station.

Satyajit Ray’s city

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