City Culture – De Bhasar, Archbishop Makarios Marg Culture by The Delhi Walla - March 31, 2012March 31, 20124 The philosophy of nonsense. [Text and photos by Mayank Austen Soofi] ‘Rich Fucks.’ The Delhi Walla saw this calligraphy by an unknown Bhasarian artist in Archbishop Makarios Marg, a road in central Delhi named after the first President of the Republic of Cyprus. It is depicted on the boundary wall of Delhi Golf Club. The wall faces the bungalows of Golf Links, one of the city’s richest neighbourhoods. This is the fourth instance that I have come face-to-face with De Bhasar movement in Delhi. (Click here to view the first exhibit.) According to Wikipedia, De Bhasar or Bhasarism is a cultural movement that began in Nantes, France, during the post 9/11 Gulf War, reaching a tipping point between 2007 to 2009. The movement involves graphic
City Culture – De Bhasar, Oberoi Hotel Flyover Culture by The Delhi Walla - February 7, 2012February 7, 20122 The philosophy of nonsense. [Text and photos by Mayank Austen Soofi] Three heart-shaped outlines. The Delhi Walla saw these drawings in the Oberoi Hotel flyover. They are depicted on the pillars adjacent to Lodhi Road, which runs through the underside of the flyover. This is the third instance that I have come face-to-face with De Bhasar movement in Delhi. (Click here to view the first exhibit.) According to Wikipedia, De Bhasar or Bhasarism is a cultural movement that began in Nantes, France, during the post 9/11 Gulf War, reaching a tipping point between 2007 to 2009. The movement involves graphic designs and literature, which concentrates its anti-sentimental politics by rejecting aesthetic birth-control measures through anti-catholic works. De Bhasar might be regarded as pro-Berlusconi in nature. “Heart,
City Event – Indian Languages Festival, India Habitat Centre Culture General by The Delhi Walla - December 15, 2011December 15, 20111 Meeting of voices. [Text and photo of India Habitat Centre by Mayank Austen Soofi] Three days, 10 sessions, 13 Indian languages, 60 writers. The first Samanvay festival of Indian languages will be hosted in Delhi by the India Habitat Centre in partnership with Delhi Press and Pratilipi Books from 16-18 December, 2011. “We are bringing writers from different languages on to a central platform that will showcase the richness and innovation taking place in Indian languages,” says Satyanand Nirupam, an associate editor, Sarita, Delhi Press, who designed and conceptualized the festival. “The aim is to provide a bridge for Hindi and English speakers to what is happening in, say, Oriya.” The baatcheet (conversation) in the first session of the festival will include two Jnanpith
City Culture – De Bhasar, Connaught Place Culture by The Delhi Walla - December 13, 2011December 13, 20117 The philosophy of nonsense. [Text and photos by Mayank Austen Soofi] 'Fuckass.' The Delhi Walla saw this calligraphy in the middle circle of N-Block, Connaught Place, Delhi’s colonial-era commercial district. It is depicted on a white paan-stained wall, whose paint is peeling. Immediately below is the anatomical sketch of a woman. This is the second instance that I have come face-to-face with De Bhasar movement in Delhi. (Click here to view the first exhibit.) According to Wikipedia, De Bhasar or Bhasarism is a cultural movement that began in Nantes, France, during the post 9/11 Gulf War, reaching a tipping point between 2007 to 2009. The movement involves graphic designs and literature, which concentrates its anti-sentimental politics by rejecting aesthetic birth-control measures through anti-catholic
City Culture – De Bhasar, Connaught Place Culture by The Delhi Walla - November 17, 2011November 17, 20114 The philosophy of nonsense. [Text and photos by Mayank Austen Soofi] ‘Sangita, I fuck you.’ ‘Your mother’s cunt’. ‘Book a cock.’ The Delhi Walla saw this calligraphy in Connaught Place, Delhi’s colonial-era commercial district. They are depicted in the dusty glass panelled sky roofs of Palika Bazaar parking. The glass pyramids jut out into the park above that is frequented by the jobless, the lovers and the homosexuals. Some panels have sketches of uncircumcised penises, alongside what appeared to be mobile numbers. “So De Bhasar has arrived in Delhi too,” says Peter Schjeldahl, art critic of The New Yorker magazine, by e-mail. According to Wikipedia (if Wikipedia can be accorded to), De Bhasar or Bhasarism is a cultural movement that began in Nantes, France, during the
City Culture – Delhi’s Emerging Lingo Culture by The Delhi Walla - November 9, 20115 Signs of our times. [Text and photos by Mayank Austen Soofi] News flash on a website: 2G:BJP demands probe against PM, PC. The meaning of the cuss word Chutium Sulphate, explained in an online dictionary: “Complete moron, as in, That chutium sulphate can’t drive two feet without blowing his horn.” Slutwalk’s Indianised avatar that took place in Delhi: “Slutwalk athhart Besharmi Morcha.” This is the 21st century sound of Delhi. In the capital of a republic of 122 languages with more than 10,000 speakers (2001 census), we have entered into a new kind of multilingual anarchy, where a colon-dash-bracket on the keypad has become shorthand for a smile. Our conversational language has disintegrated into a mess of jargon, idiom, acronyms, abbreviations, cuss words and symbols. When
City Culture – B-boying, Connaught Place Subway Culture by The Delhi Walla - August 17, 2011August 17, 20118 Hips and hops. [Text and pictures by Mayank Austen Soofi] Twisting the hip. Spinning on the floor. Standing on the head. Freezing into a pose. Legs leaping up. Suddenly, the entire body falling flat with a thud. "Yo, yo." One late monsoon evening The Delhi Walla saw a gang of boys who were B-boying at the underground pedestrian subway in Connaught Place, Delhi’s Colonial-era commercial district. Home to beggars and dope addicts, the subway connecting Wimpy’s to KFC was transformed into a setting straight out of New York, the metropolis where B-boying originated. A part of the hip-hop genre, it’s a street dance that evolved among the New York City’s Afro-American and Latino boys in the 1970s. According to urbandictionary.com, the ‘b’ in the
City Culture – Chittaprosad’s Retrospective, Delhi Art Gallery Culture by The Delhi Walla - July 18, 2011July 18, 20110 The artist as ideologue. [Text and pictures by Mayank Austen Soofi] Artist Chittaprosad Bhattacharya (1915-78), whose retrospective opened in Delhi on July 11th 2011 was most memorably the illustrator of the Bengal Famine of 1943 in which more than three million people died. But even if he had not wandered with his sketchbook in that starving countryside, occasionally on foot from one village to another, Bhattacharya’s collected drawings, prints and paintings would still be full of feeling. Chitta, as his friends called him, was born in Naihati, West Bengal; his father, a government officer, was an amateur pianist, and his mother a poet. Having spent most of his productive years in Mumbai, his work is diverse and some of it is borne out
City Culture – Trash the Flags, American Center Culture by The Delhi Walla - July 7, 2011July 7, 20110 An exhibition. [By Mayank Austen Soofi] Flags, according to a Delhi-based novelist, are bits of coloured cloth that governments use to first shrink-wrap people’s brains and then as ceremonial shrouds to bury the dead. In an exhibition at the American Center (2 to 30 July, 2011), flags are bits of coloured plastic that corporations use to first seal-wrap people’s junk food and then as trash to be recycled in countries such as India and China. Delhi-based American artist Zachary Becker has married Land O’Lake’s butter with Stars and Stripes, and Parle-G biscuits with the tricolour. In his first exhibition, the 23-year-old artist has used discarded packets of branded tobacco, biscuits, tea, burgers, bacon, nuts and popcorn to make 11 flags. All the represented nations
City Culture – Arundhati Roy’s Concert, India Habitat Center Culture General by The Delhi Walla - July 4, 2011July 4, 20110 A musical evening with the essayist. [Pictures by Mayank Austen Soofi] While launching Broken Republic – Three Essays at the India Habitat Center in May 2011, Arundhati Roy read the book's introduction that touches upon the lives of Delhi's street children. The recital was accompanied by live music from the band The Ska Vengers. The Delhi Walla brings you images of Ms Roy swaying to the music, and the full text of the introduction. "THE minister says that for India’s sake people should leave their villages and move to the cities. He’s a Harvard man. He wants speed. And numbers. Five hundred million migrants, he thinks, would make a good business model. Not everybody likes the idea of their cities filling up with the